RED ONE
 
View RED ONE Reel
 
CHP Productions now offers the RED ONE Camera in a number of different setups, from basic camera body (as a supplement to your current production pack) and also as complete package with a Cooke 20-100mm T3 Zoom lens and monitoring system. We can also provide an on-site technician for media management and support. For Features or Commercial Projects, The Red One is simply the best camera package available for picture and sound quality.
         
 
Shooting Formats:
     Features:
  • 4K RGB
  • 3K RGB
  • 2K RGB
  • Allows for immediate editing of camera source footage when using Final Cut Pro
  • 1920×1080 progressive, RGB or 4:2:2
  • 280×720 progressive, RGB or 4:2:2
  
  • 4520 X 2540 pixels
  • 12-megapixel Mysterium™ CMOS sensor
    Super 35mm sized
  • Low noise with superior charge capacity for dynamic range and color fidelity
  • Up to 120 frames per second slow motion acquisition (in 2k)
  • PL Mount for 35mm film lenses

The RED ONE camera generates QuickTime reference movies that point to 4K (or 2K) full resolution REDCODE™ RAW (.R3D) files. This allows for immediate editing of camera source footage when using the latest version of Final Cut Pro.

Why Shoot With The RED ONE?
 

Answer:

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color subsampled video at up to 30fps. RED ONE delivers 11.4M pixels at up to 60fps and records RAW, or 2x over-sampled HD in 4:4:4 or 4:2:2 - your choice. That's more than 5 times the amount of information available every second and a vastly superior recording quality.

   
Answer: The RED ONE camera generates QuickTime reference movies that point to 4K (or 2K) full resolution REDCODE™ RAW (.R3D) files. This allows for immediate editing of camera source footage when using the latest version of Final Cut Pro.
   
Answer: Provides a digital imaging alternative to shooting 35mm film which will save money on film processing and transferring costs.
   
Answer: Unlike 35mm film, which may require several days of processing, the Red One offers immediate accessibility to the footage. You’ll know right away whether you have the shot.
   
Answer: For feature film productions and high-end commercial work, the RED ONE  is simply the best alternative to costly 35mm film acquisition. Bottom line is brilliant image acquisition at a fraction of the cost of 35mm film.

chad@CHPProductions.com
215-610-5122